Discounted Student Tickets with Code SOUNDCHECK
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March 20
Hailed by The New York Times as “a virtuoso of dazzling technical acumen,” GRAMMY® Award-winning organist Paul Jacobs returns to the Schermerhorn to put the mighty Martin Foundation Concert Organ through its paces. As a frequent and favorite guest soloist with the Nashville Symphony, Jacobs returns for a powerhouse program of J.S. Bach and Liszt.
March 21 to 23
If you’ve visited Las Vegas, chances are you’ve seen entertainer extraordinaire Frankie Moreno’s face on a billboard. Growing up in Santa Cruz, Moreno moved to Nashville to polish his craft and then on to Vegas and top selling albums and hit singles — and was voted Las Vegas’ Headliner of the Year five times running. Who better to perform Elvis’ music and pay tribute the great one than the incredible Frankie Moreno?
April 5 & 6
Zuill Bailey, a longtime friend of the Nashville Symphony, flawlessly navigates the virtuosic pyrotechnics of Dmitri Shostakovich’s Cello Concerto No. 1 — specifically chosen for this concert by Giancarlo Guerrero. Two of Beethoven’s even-numbered symphonies surround the concerto, and though they are less-often performed in concert, they remain two of his most poignant and profound works.
April 12 to 14
Gershwin’s orchestral music defined the American sound, and Jean-Yves Thibaudet joins us for our centennial celebration of Rhapsody in Blue plus his Piano Concerto in F. Gershwin is complemented by Florence Price and William Dawson, whose compositions stemmed from the Black American Experience. At its 1934 Carnegie Hall premiere, Dawson’s Negro Folk Symphony, based on spirituals and emphatically symphonic, brought audiences to their feet. And Price’s Dances in the Canebrakes is drawn from Black folk songs and dances of the 1920s and ‘30s.
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